The second issue of the very engaging and enjoyable noir comic moves backwards and forwards to add depth and context to the story. Kurt King, ex-policeman and vigilante is becoming increasingly concerned that his brother Victor is somehow involved with Mr X the crime lord of the city. Having suffered a devastating loss Kurt reflects on his shattered past with his brother. Victor is also making moves of his own to pursue his own interests. When Kurt returns to the hunt for Mr. X he finds much more than he ever expected.
Tony Scott Astley has a sure and confident approach to noir storytelling, he is willing to take the time to build up to a substantial pay off and keep a number of story possibilities open at the same time. Kurt is a classic noir lead character, deeply wounded and channelling his rage into a fight for something worthy, fighting corruption. The fact that his brother maybe implicated in the corruption is a complicating factor that ultimately does not distract or deter him. Victor King, the brother who got away, rich and successful is ambitious at best and very murky at worst. The looming possibility that Kurt is being deftly played by someone else is quietly set up, nicely stirring the plot possibilities.
Paul Anderson’s art is sharp and a pleasure to read, the physical setting is very powerful, the locations have a strong presence. This underlines the huge gulf between the brothers, harsh actions are taking place everywhere, the difference in the settings is vital to the story and context. The way panels and full pages are used to control the momentum of the story is great, in a story where reveals are crucial this is very important .The cast are powerfully expressive, Kurt wears his life on his face, battered and stubbornly determined, Kurt moves forward for his mission with a grim determination and bitter humour. Victor is a smooth shark, moving steadily in for the kill. The supporting cast all move naturally in their context amd give depth and force to the story. The shifts from conversation to action are natural and effective, that both are as dangerous as each other is captured with deft skill.
The colouring is striking and very important, it brings out every nuance in the story and creates and sustains the vital atsmophere of the story. The lettering is quiet and flows naturally with the panels, never distracting the reader, the sound effects are loud and pitched exactly at the right place and volume.
The Darkest King is smart, engaging and confident crime comics storytelling using a genre that is fatally easy to get wrong, a pleasure.
Chief Wizard Note: This is a review copy very kindly sent by Tony Scott Astley. to purchase a copy of The Darkest King 2, which you should to improve your quality of life as only excellent comics can do, it is avalible from http://www.wpcomicsltd.com
